Opus57 Opus58 Opus58a Opus59 Opus60 Opus60a Opus61 Opus61nr1 Opus61nr2 Opus62 Opus63nr1 Opus63nr2 Opus63nr3
Quartet for woodwinds
unpublished (as of September 2005)
flute, oboe, clarinet, bassoon
4 movements:
Adagio-Presto
Andante
Scherzo
Finale-Vivo
Composed: November 1971
Dedicated to Mark Bangert
Òwritten for Richard Butts and his friends Harold Ashenfelter, Gilbert Byerman and Robert Gray.Ó
--autograph score
First performance: May 14, 1972 in Krieg Hall, Wittenberg University
A Cantata for Baptism
Chantry, 1973. COC 735
choir SATB, T (or S) solo, solo instr, keyboard
9 movements (2 are repeats)
Composed: March 1972
Dedicated to the Donald Rotermund family
Outline:
Ritornel (instrument and organ)
Stanza 1 "Liebster Jesu" (choir)
Solo (Mark 10:14)
Stanza 2 "Liebster Jesu" (choir)
Ritornel (instrument and organ)
Stanza 3 "Liebster Jesu" (same as stanza 1)
Solo (Mark 10:14-15)
Stanza 4 "Liebster Jesu" (same as stanza 2)
Ritornel (instrument and organ)
Stanza 5 "Liebster Jesu" (choir, solo, instrument, organ)
Two Solos for Baptism
Chantry, VOS 736
T (or S) solo, solo instr, keyboard
(from Opus 58)
Improvisation for Beginners
Concordia, 1975. 75-2934
A Book of Self-Instruction for Church Musicians
Written in 1973
Prof. Bender made a set of tape recordings to accompany this text, but the tapes were never published.
Five New Hymns
Valparaiso University Church Music Seminar, 1974.
Texts by Herbert Brokering
Composed: 1974
Commissioned by the Valparaiso University Church Music Seminar 1974.
Contents:
Father, Saviour, Spirit (No. 1)
voice, organ
Tune and setting by Jan Bender
I Think of Jesus (No. 2)
voice, organ
Tune, setting and descant by Jan Bender
Rise Up, My Heart (No. 3)
choir SATB, cong., organ
Tune by Werner Gneist (copyright by BŠrenreiter)
He Comes to the People (No. 4)
voice, organ
Tune and setting by Jan Bender
antiphonal
New Woman and New Man (No. 5)
choir SATB, cong., organ
Tune and setting by Jan Bender
refrain is SATB
Two Hymn Settings
unpublished (as of September 2005)
Contents:
Sing out, use your voice (1)
Text by Thomas Belt
Give us, O God, the grace (2)
Text by Roger Kronmann
Prelude, 10 Christmas Chorales and Postlude
Concordia, 1977. 97-5401 (parts 97-5402; choir 98‑2319)
unison choir and 2 oct. handbells
Dedicated to Rev. Larry and Gundula Houff
Contents:
Prelude
Wachet auf
Macht hoch die TŸr (Halle)
Es ist ein Ros
Gelobet seist du, Jesu
In dulci jubilo
Ich steh' an deiner Krippen hier
Vom Himmel hoch
Wie soll ich dich
Fršhlich soll mein Herze
Wie schšn leuchtet
Postlude
Prelude, 10 Chorale Settings and Postlude
Concordia, 1976. 97-5387 (parts 97-5388; choir 98‑2308)
unison choir and 2 oct. handbells
Dedicated to Karen Buck
Contents:
Prelude
Auf, auf, mein Herz
Christ ist erstanden
Llanfair
Orientis partibus
Es ist genug
Ach bleib bei uns
Gelobt sei Gott
Easter Hymn
Jesus, meine Zuversicht
La§t uns erfreuen
Postlude
ÒOpus 61 / GlockengebimmleÓ
--Title on Folder in Archives
Weihnachtsgeschichte
manuscript lost (last known in possession of Otto Brodde in Hamburg)
(10 minutes long, to be sung in church service. Written for Otto Brodde in October, 1975.)
America (Prelude and Fugue in C)
unpublished (as of September 2005)
organ
programmatic, with 12-tone fugue subject
2 movements
Composed: Prelude is dated Jan. 12, 1976; Fugue is dated Dec. 18. 1975
Dedicated to Harald Rummler
ÒThe Prelude depicts the majesty and the beauty of the land. In the middle sections horse riders can be heard. Do they explore the land, do they conquer it? The fanfares in Mrs. 20 and 25 almost let us guess the warfare. Or is it merely the pony express?
The first theme of the fugue reveals the frayed fabric of the american nation. Great tensions everywhere, but the second theme with its energy and wide range overwhelmes more and more the power of evil. From mr. 51 on to 90 the struggle goes on until from 91 to the end the second theme has gained the victory, rising like a beaming sun sending its rays over all the land and its inhabitants. In God we trust forever. J.B.Ó
--typed preface pasted on title page of autograph score
Prelude, Aria and Jig-Fugue in C
Music for a Sunday Morning #7
Concordia, 1978. 97-5436
organ
Tune: O wie selig seid ihr doch (in the Aria)
3 movements
Dedicated to Holy Shepherd Luth. Church, West Columbia, SC
Prelude, Voluntary and Recessional
The Master Organ Works of Jan Bender, vol. 5, ed. David Fienen. Concordia 2005. 97-7102
organ
Tune: Carn Brea (in the Voluntary)
3 movements
Composed: November 1982
Dedicated to Prof. Horace Fishback III
ÒOrgan sonata for Arlene HildingÓ --folder in archives
Arlene Hilding has a copy of an early manuscript version of this work that reveals many interesting details. This is a rare example of an extant earlier version of any of BenderÕs compositions, since he seems to have regularly destroyed his working copies once he had made a fair copy and/or once the composition had been published.